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I’m working on Scout's barn-hunt figure, the third depiction of Scout in this triple portrait. In these pics you can see why I masked off the figures to protect the grey paper when I made the underpainting for the grass and straw backgrounds (green, and gold/brown). I wanted to utilize that grey paper in creating Scout’s coat in all three figures.  1 - Starting with Scout’s beautiful big fluffy tail! 2 Scout’s black coat is made up of many shades of grey….very little actual b

I’m not going to add the colored pencil grass details around the Frisbee figure until I finish the barn-hunt figure. The backgrounds of those two scenes - straw and grass - will have to blend together at the edges. Since the portrayals of Scout are the most important thing, I want to finish the barn hunt figure first. Then create both the straw and grass backgrounds around the two action figures. Any background scene I put in has to enhance the figures, not the other way arou

Continuing Scout’s triple portrait. I’ve moved on to the second figure, an action pose - Scout running fast with his Frisbee. This one poses a dilemma: a blurry reference photo. Most people know me for my highly detailed, realistic style. I solved the challenge of using a reference photo that doesn't show any detail, by working in a different, more impressionistic style. The close-up of the pencil strokes in Pic 4 shows what I mean. A professional artist friend of mine often

How I made the underpainting for Scout’s portrait. I decided to do the underpainting after I completed Scout’s head-study with colored...

Almost finished with Scout’s head. I am not going to do any of his neck and shoulders until I complete the two action poses - Frisbee,...