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“Feet Off the Ground” - the perfect soundtrack! ...and a video of Octavia the moment Penny won Westminster that will make you laugh and cry at the same time. As Andy Linton’s assistant, Octavia traveled with Penny for two years while Penny was being campaigned. She cared for Penny on the road, exercised her, slept with her, and got her ring-ready….through 66 Best in Shows, 40 Reserve Best in Shows, 35 Best in Specialty Shows, and ultimately this historic achievement of Best i

The size of this portrait is 12 x 16 inches, and there are two full figures in it. So some of the details are smaller than my sharpest pencil point! That makes it challenging to get the details of the features accurate. Working at that small size actually makes it easier to do large areas of skin though - like Octavia’s arms - where the artist has to make all the narrow pencil strokes look like a smooth color. And a smooth transition of color (the elbow). Her tattoos were fin

Octavia’s face finished. Have you wondered who this young woman is who was such an integral part of “Team Penny”? Octavia Stensen is Assistant to Andy Linton, Penny’s handler. Before I started on Octavia’s face I asked the Chans to tell me about her. (The portrait was to be a surprise so I couldn’t talk to Octavia.) They described her as a vibrant and amazing young woman. “She’s got good energy”, Greg said. I think that comes across in her face in this pic. Octavia traveled w

In a previous post you heard me wondering about the wisdom of choosing a paper color that is the exact color of Octavia's skin. Which is why I chose it. It helps me capture that creamy "peaches and cream" look of her fair skin. But would I be able to make Octavia stand out on paper the same color as Octavia? Her skin colors are very delicate. The highlights of Octavia's face are barely lighter than the paper color, and the shadowed areas that form her features are barely dark

Working on Octavia's hair. The size of portrait the Chans ordered is 12 x 16 inches. It has two full-body figures in it, so some of the details in it are quite small. Some smaller than a sharp pencil point. There is a lot of detail in this portrait. So the challenge of portraying fine detail accurately, that small, will continue. 🎨 Prismacolor pencil on “Honeysuckle” Canson Mi-Teintes paper, 12 x 16 inches. "Penny & Octavia", in progress Portrait of Octavia Stensen and Penn

January 5 I'm starting a new portrait, of Titan for Alicia McCarthy. This portrait has a very touching story to it. I’m working on “Sky Grey” Canson paper. A beautiful paper that has little flecks and fibers in it. I like using that for a portrait on a plain-color background, it lends interest to an otherwise plain, flat background color. Titan portrait in progress 2 You may remember when I worked on the beautiful memorial portrait of Wishes for Alicia last year. While we we

Last week I shared the three portraits Greg and Theresa Chan commissioned of Westminster Best in Show winning Doberman, Penny, to be given as surprise gifts to members of “Team Penny”. We began working on the portrait for Octavia in January….before Penny won Westminster! (Westminster was to be the last show of her impressive career.) The creation of a portrait always starts with choosing the right photos to use for reference. 1 The Chans suggested this photo of Octavia with P

Remember Penny, the Doberman who won Westminster? In January Greg and Theresa Chan commissioned me to create 3 portraits of Penny to be given as surprise gifts to "Team Penny". In February Penny won Westminster, and the commission became even more special. A commemoration of a historic achievement. It took 3 months to create the portraits. They were kept secret until they were gifted to the recipients. Now I can finally share them! I’ll share the creation of these portraits o

I encourage artists not to copy photos slavishly. I rarely portray a photo exactly as it is without making artistic changes. Even when doing portraits, which have to be accurate to the subject, there are usually ways to change and improve what is in the photo. Very few photos are perfect just the way they are. When creating artwork out of my own inspiration (not commissioned by a client) I make all sorts of creative changes. A photo inspires me, it doesn't dictate to me. Here

☘️ Happy St. Patrick's Day! ☘️ Here are two small leprechaun drawings I created years ago for a client to use as small figures in an ad. People who know me personally may recognize that I posed for the leprechaun myself. With some exaggerations to my features to make me look more “leprechaunish”. I posed in a pair of sweat-pants pushed up to the knee and a suit jacket. Prismacolor pencil on “Felt Grey” Canson paper, 10 x 13 inches each. The originals are available for $125.0

So many people loved the in-progress pic I shared recently, I thought you’d enjoy seeing the finished portrait “The Kiss of Hearts”, of Marlaina and her beloved blue Doberman, Sky, which I created for her in 2019. Sky’s registered name was CH. Kettle Cove Lanikai Blue Sky. The theme of the litter she was from was "Hawaiian Islands". I wanted to capture the feeling of Sky and Marlaina on a tropical Hawaiian beach. This portrait was done on “Cream” Canson paper, with a waterco

Titan's portrait is finished. Here’s what Alicia told me about this amazing, one-of-a-kind Doberman: “A funny story I like to tell and is remembered by many is Titan’s first container search at a scentwork trial at Durham Kennel Club. When he walked into the building for the first time and stepped into the ring, he completely ignored the two neat rows of white boxes and made a beeline for the wall of mirrors. After tilting his head this way and that, he began admiring the inc

Here’s a problem that crops up with every single portrait. When I have finished a portrait to the best of my ability, I send a high-resolution jpg of it to the client so they can zoom in and check details. I ask if there is anything that needs to be adjusted. Sometimes a client requests a small change like darkening under the chin or remove a spot that I thought was part of the dog’s coat but was a piece of dirt in the photo. The client is usually right-on, the changes improv

Before I could finalize Titan's portrait, there was another decision the client had to make. Alicia had ordered a 16 x 20 portrait. I always work on a full sheet of Canson paper, which is 20 x 26 inches, and trim it down at the end. I marked out the edges of the 16 x 20 when I drew the initial line drawing on a sheet of “Sky Grey” Canson paper. Then I ended up working out to the edges of the paper with the folds of fabric. I knew I was going well outside the 16 x 20 size, bu

Even when a portrait is “finished” there are changes to be made. An artist may think a portrait is finished when they complete the depiction….but is it? When I finished Titan’s portrait I stood back and looked at it taped up on the wall from several feet away. That’s always the last step when I complete a portrait. Sometimes I see things that need a little adjustment. Usually that’s just a few additonal pencil strokes…a few minutes work. But this time I spent a couple more da

After I finished Titan’s paws, I drew the toy. The well-loved tug toy. Then I finished the shadows under the toy and paws on the fabric. Whenever a figure is resting on a surface in art, there will always be a shadow that "connects" them to the surface. Otherwise it will look like they are "pasted on" the surface, or sometimes floating above it. I could have cleaned up the toy, but I thought it would be better to show that it was well-loved....yet another indication of the p

Completing Titan’s paws… Drawing a hand or paw is as complex and detailed as the features of a face, in my opinion. Upper pic - Going around the edges, building all the edge colors, before filling in all those weird abstract shapes that make up the paw and wrist. FOR ARTISTS: I fill those containing edge colors of the paw first, so I can establish the values (lightness-darkness) of the paw colors against that blue-grey paper. Then work inward, filling in the abstract shapes o

In this pic you can really see the difference between the tightly-detailed pencilwork of the paw, and the loose pencilwork of the fabric. For the fabric I'm making use of the blue paper. In Titan’s rust areas I’m covering the blue paper. For Titan’s paw I completely cover the tooth of the paper. In the fabric I make use of the tooth: those tiny “hills and valleys” of the paper texture that show through the pencil pigment (see closeup in next pic). In his paw I don’t want any

After I finished the collar I decided to do Titan’s paws next, instead of working my way down his chest. But first I needed to do the blanket. Here’s why: I rendered the fabric in a really loose way, as you see. I wanted to do that with fast, energetic pencil strokes - big sweeping strokes using the whole flat of the pencil core for the broadest strokes possible. I didn’t want to complete the paws first, in case those wild strokes overlapped the paws and I needed to erase the

Titan’s portrait is coming along. I added a favorite collar from a different photo Alicia sent. More stories from Alicia about this funny, joyful boy are below. They explain what you see in Titan's big happy smile. Alicia wrote: “Titan rarely took anything seriously, he was goofy, cheerful, and just a bit mischievous. I used to joke that he was too light‑hearted to stay down for long. He loved being the center of attention and, if he were human, he would have been the class