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Cooper portrait in progress 4 - A copper-colored nose

  • Writer: Kevin Roeckl
    Kevin Roeckl
  • May 26
  • 2 min read

This progression of a day’s work in the studio helps show how I construct a canine portrait.

Three scans of today’s work…creating the nose, lips, and muzzle of a copper-colored dog. The captions describe my thought processes.


1

To begin, I added the back corner of Cooper's lip, and that was where I started bringing in some of the more pink and peach tones. Outlined the dark edge of his lips and nose, so I could add that central “split” that runs up the front of a dog’s nose, preparing for doing the “nose leather” portion. Those are the landmarks I need to make sure his nose looks symmetrical. 


Colored pencil head study portrait of a Vizsla on grey paper, in progress.


2

There were a lot of interesting colors in Cooper’s nose. I layered and blended golds, greys, peach, mauve, red-orange, and of course a variety of browns, and black in the nostrils. 

I’ve never done a Vizsla’s nose before. It was a bit pinker than his coat, but not as pink as the nose of a red Doberman, or as grey or mauve as many brown dogs. It was surprisingly “orange”. It really is what the AKC refers to as “self-colored” — the color of his coat. 


Colored pencil head study portrait of a Vizsla on grey paper, in progress.


It surprised me, all the colors in that copper-colored Vizsla nose. 


3

Pencil colors I was using for Cooper’s face are on the left. As I started working on his nose and lips, I added pencils that have more pink and purple in them to my "working colors", on the right. Almost all the colors you see here were used to create his nose. 


Close up of the nose in a head study portrait of a Vizsla on grey paper, in progress, with colored pencils.


4

With the lips and nose “enclosing” the space, I began filling in the front portion of his muzzle between lips and nose. That’s my least favorite part of a portrait. It’s challenging to get all those rows of little pits that the whiskers come out of, without making them too exaggerated. It really is a strange collection of shapes and lights/darks in a small area. That same challenge will continue while filling in the rest of the area still unfinished on his face. 


Colored pencil head study portrait of a Vizsla on grey paper, in progress.


🎨 Prismacolor pencil on “Flannel Grey” Canson Mi-Teintes paper, 11 x 14 inches.

Portrait of Cooper

Commissioned by Rina Carrillo as a birthday gift for her partner Brandon Hedrick. 


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